ENC 1101-82070, Meeting on Tuesday/Thursday, 5:30-6:45 BHUM 206

Instructor:
Gary Ancheta

E-mail:
gary.ancheta.enc@gmail.com
(I do not answer my phone, so please e-mail me if you have any questions).

Office: Building BLRC 207

Office Hours: 1:00-200pm, 4:00-5:00pm (T/Th)
(please e-mail or talk to me after class to make an appointment).

Syllabus for ENC 1102

Monday, May 11, 2009

ENC1101SyllabusSUM09

ENC 1101 COMPOSITION 1 SPRING 2009


Instructor: Professor Gary Ancheta
Office Hours and E-mail Response Times: Tuesday and Thursday 1PM to 2PM and 4PM to 5PM

Email: gary.ancheta.enc@gmail.com

Office Location: English TA Office


Course Description:


ENC 1101 helps prepare students for academic work by emphasizing expository writing, the basics of library research, and the conventions of academic discourse.  Students employ a variety of voices (first, second, and/or third) appropriate for diverse rhetorical situations.  Students learn to think rhetorically, to understand and employ a variety of writing strategies, to conduct research, and to interpret, critique, summarize, and paraphrase texts.  Student writing is based on conversation, memory, experience, reasoning, research, and collaboration.


The overall theme for this course will be how our own communication technologies inform and reflect our identity. Students will examine the interface of communication technology (video game spaces, phones, the internet, television etc…) through the viewpoint of how others (like advertisers, designers, and culture) inspire, disgust, and persuade them to purchase their product . The conversation will be centered around how these diverse groups utilize communication technologies to unite or defy their communities, so if you do not have a reliable internet service or you do not wish to seriously talk about online communities, consider taking another ENC 1101class. As long as students contribute to class discussion, keep up with the readings, and conduct research, a student should do fine with this class.




The major projects are designed to provide students practice in making appropriate rhetorical choices based on whether the writing context is informative (definitional), reflective (memoir), persuasive (compare/contrast) or analytical(rhetorical analysis of a text).

 

Required Texts/Tools:



Textbooks

1. The Little Brown Handbook (tenth Edition)

2. Patterns for College Writing



Access to a computer:


Students will need an HCCFL account. Also, you must also use Microsoft Word or other compatible software to word-process documents. (or Open Office at http://www.openoffice.org/). All of your work should be saved as a .rtf file. If you have a laptop please consider bringing it to class because we will be using computers throughout the semester.  In addition, I will require all of you to create a "Google Account" for the class so that you can save e-mails, access our blog, and save all your user documents in a very reliable format. 



Additional readings


Students will either be online or PDFed on the website. Most readings will be on the assignment schedule or announced during class.


Manila Envelopes
Students will  need manila envelopes for each of their projects. All of your drafts, outlines, and final projects will go in your envelopes and I will collect these envelopes after every project.

Major Projects and Assignments:

 


The major projects are designed to provide students practice in making appropriate rhetorical choices based on whether the writing context is informative (definitional writing), reflective (memoir, biography, blog), analytical (rhetorical analysis) or evaluative (compare/contrast paper).

Project 1: Memoir—15 % (Due May 20, 2009)


In this project, students will write a socially, culturally, historically, and/or economically informed memoir that involves your how you use or how you see technology in your life.




Project 2: Definition Essay—20% (Due June 3, 2009)


Students will write a “essay definition” of a term or technology phrase that they have researched. By visiting, researching, and thinking critically about this piece of technology, students will evaluate such concepts as culture, heritage, history, recreation, aesthetics, usability, nature and the environment, design, politics, economics, and diversity of how this piece of technology interacts with our understanding of real people and real environments.




Project 3: Compare/Contrast Technologies–20 % (Due June 17)


Students will write a rhetoric analysis of 2 technologies and identify common or intriguing rhetorical strategies. Specifically, consider the context, audience, purpose, and media invoked by the two communication technologies.




Project 4: Rhetorical Analysis—20% (Due June 24)


Students will analyze their work in an attempt to understand how their world is affected by  technology. This final essay will be a culmination of your previous essays, drawing on the essays as a way to see how you use and see technology in your own life.



Homework/Blog Posts and In Class Quizzes – 15 % (Due During Paper Turn-In Dates)

Students will be required to blog their homework for this class and they will be required to comment on each other's blogs for credit in class.  Students will also be required to take in-class essays, which will contain a fair amount of writing.  The due dates for this homework and their blog posts will be scheduled when papers are due.




Group Work, Presentations, and Attendance—10% (Due during each class period)




Technology Requirement:


From web-based assignments and material to email, ENC 1101 requires consistent access to the Internet, word-processing, and a printer. Not having access to a computer will not be an acceptable excuse for not having checked the syllabus for homework, not having checked your email address for class announcements, or not having made the required online journal posts.  Students are required to check the blog at least once to note any changes before class begins.




 


Attendance Policy:


Attendance is mandatory. This is not a lecture class. Class meetings will be spent engaged in activities that will directly and immediately address your needs as a writer.




  • It is impossible to "make-up" missed days.



  • Unexcused absences on any day that one of the three Writing Projects is due will result in one whole grade off per class day the paper is late. 



  • Missing a scheduled conference with me will be treated the same as any other absence.



  • It is the student's responsibility to contact me regarding information about missed work. If a student must miss two or more consecutive classes, communication with me is vital.




Policy on Religious Observances:


Students who anticipate the necessity of being absent from class due to the observation of a major religious observance must provide notice of the date(s) to me, in writing, by the second class meeting.




Student Conduct Policy:


We strive to make the course as interesting as possible for everyone, and we welcome any constructive suggestions for improvement that are written in a respectful tone. Please observe common courtesies.. If any behaviors interfere with instruction, both on and offline, I will then follow policies regarding student conduct from the USF Handbook.




Disruption of Academic Process:


Disruption of academic process is defined as the act or words of a student in a classroom or teaching environment which in the reasonable estimation of a faculty member: (a) directs attention from the academic matters at hand, such as noisy distractions; persistent, disrespectful or abusive interruptions of lecture, exam or academic discussions, or (b) presents a danger to the health, safety or well being of the faculty member or students.




Punishments for disruption of academic process will depend on the seriousness of the disruption and will range from a private verbal reprimand to dismissal from class with a final grade of "W," if the student is passing the course, shown on the student record. If the student is not passing, a grade of "F" will be shown on the student record. 



If we all work hard to treat each other respectfully, we will find ourselves in a wonderfully positive learning environment. You'll come away with a rich educational experience, and your teachers will be delighted to have had you as a student.  




Disability Accommodations:


Any student with a disability should be encouraged to meet with the instructor privately during the first week of class to discuss accommodations.




Grading:



























A+ (96-100) 4.00


B+ (86-89) 3.33


C+ (76-79) 2.33


D+ (66-69) 1.33


A (93-95) 4.00


B (83-85) 3.00


C (73-75) 2.00


D (63-65) 1.00


A- (90-92) 3.67


B- (80-82) 2.67


C- (70-72) 1.67


D- (60-62) 0.67


A final grade of C- satisfies specified minimum requirements for Gordon Rule and Composition. Student exemptions for the writing portion of CLAST require a 2.5 combined GPA in Composition I & II.

Plagiarism and Late Work

 


Plagiarism includes the use of a quotation, that is, the exact words of a text (interview, lecture, periodical, book, or website) without quotation marks and documentation; the paraphrasing of ideas or passages from a text without documentation; the inclusion from a text of information not generally known to the general public without documentation; and the following of the structure or style of a secondary source without documentation. Plagiarism, without citing information, is an automatic failure for this class.




All assignments must be completed on time. I will not accept late in-class assignments or late out-of-class homework assignments. I will accept late Projects; however, late projects will be penalized. For each class day the project is late (for up to a limit of two weeks), one whole letter grade will be deducted.



Please Retype this sheet, Sign it, and Return it to your instructor.



Name_______________________________________________


Instructor_____________________


Course__________ Section______


Semester/Year:  Fall, 2007


 


I have read and understood the syllabus for this course, including the following policies and requirements:




  • Required Texts/Tools 



  • Major Projects and Activities



  • Course Technology Requirement



  • Attendance and Tardiness



  • Student Conduct



  • Disruption of Academic Process



  • Grading and Lateness



  • Plagiarism and Academic Honesty



  • Making Up Missed Work


 


 




In submitting this form, I acknowledge that my success in ENC 1101 or 1102 relies on my abiding by these policies.  Furthermore, I attest that I am the author of all of the writing that I submit and post, online and offline.  


 


 


Student Signature ________________________Date ________


 


 


 


Click Here to Read More..

Tuesday, March 31, 2009

Changes for Thursday's Class (Changes in Schedule)

Hello Everyone,

I had to change the scheduling of our videos for this section because of the availablity of some of these shows. Please make note that we will not watch JPOD for our class. Instead, we will be watching episodes of the British and American Office. The new schedule is the following:

First Week: (March 23)
Intro Show
Freaks and Geeks: Season 1.01: "The Pilot"

Second Week: (March 30)
T: Mad Men: Season 1.01 "Smoke Gets In Your Eyes"
Th:The Office (American): Season 2.01 "The Dundees"
The Office (British): Season 1.01 "Downsizing"

Third Week: (April 6)
T: Spaced: Season 2.07 "Gone"
The United States of Tara: Season 1.01 "The Pilot"
Th: Global Frequency: Season 1.01 "The Pilot"

Fourth Week: (April 13)
T; This American Life: Season 2.07 "John Smith"
Th: Research and Outlining

Fifth Week: (April 20)
T: Write paper
Th: Final paper due on Thursday

Alternative Videoes:
JPOD: Season 1.01 "The Pilot)
The Office (AMERICAN): Season 1.01 "Downsizing"
Coupling: Season 2.08 "Naked" Click Here to Read More..

Tuesday, February 24, 2009

Homework for Thursday's Class

READ:

Chuck Klosterman's review of "Chinese Democracy"

and

Lester Bang's review of Van Morrison's Astral Weeks

Bring in your notes about your songs (look below for the "connections between rock and roll" flowchart for ideas). Bring in notes about your video (from the pyramid of tone (pathos), clarity (logos), and style (ethos) as it compares to music videos). We're going to be doing our outlines tomorrow, so make sure you do the reading and bring in your work.

- Gary Ancheta Click Here to Read More..

Saturday, February 21, 2009

The Flowchart of Rock and Roll

During class today, we talked about "Genre" and placing your song within a genre of contemporary music. I have some charts to help some of you out if you're not quite sure where you music falls under in the overall historical scheme of things:

The Geneology of Rock and Roll is a wonderful chart that marks the begining of Rock and Roll, with relevant artists depicted as "bumps" along the chronological list. The chart only goes up to 1978, but it is a fascinating look at where your musical genre originated and the basic influences.

Jack Black, in the movie school of Rock, created another version of a "flowchart of rock" that moves into at least the middle 90s.

The idea for this assignment is to make sure you can talk confidently about the genre of music that your song belongs to in the greater history of popular music in America that includes such diverse musical tastes like The Sex Pistols, Kanye West, Blonde, Garth Brooks, and Maryln Manson. Don't get too bogged down with the details. Use wikipedia as a jumping off point to at least figure out where your song and your cover and your music video fits in the greater scheme of things and try to find connections both musically and historically, that help with your understanding of the song and the traditions behind the song.

Make sure you take notes and bring in your research next class. Click Here to Read More..

Tuesday, February 10, 2009

Quiz 9

First, write, specifically, what you liked most about the draft.

FOCUS/ORGANIZATION:
* Write a one-sentence summary of the main idea.
* Does the introduction engage the audience and establish the paper’s focus and organization?
* Does this thesis fit the assignment criteria (analyze the short story, how it was shaped by society, and how it affected society)? If not, what would you suggest?
* Is the focus maintained throughout the draft? If not, where does the draft go off-topic?
* Does the paper follow a logical pattern? If not, how would you re-organize it?
* Does the conclusion briefly address the main idea, points of significance, and suggest
future possibilities? Does it answer “So What?”
REASONING:
* On a scale of 1-10, rate the complexity of this analysis. (“10”=Wow! I’d never have
thought of that, but it really makes sense! “1”=Were you asleep when you wrote this?)
* Are all the conclusions in this analysis reasonable and valid? Identify anything, including research/sources, in this draft that you don’t quite “buy.”
* Does this draft smoothly tie the song to society, both as a product of society and an influence on society? What aspects have not been considered but should be?
DEVELOPMENT:
* Does this draft develop each point in the thesis equally? What is underdeveloped?
* Does the draft consider alternative points of view, or is it one-sided?
* What analysis overlooked that you think should be considered?
* If you’re familiar with the short story, what qualities do you think are overlooked?
* Are there at least two academic sources integrated, and do they actually support the analysis, or do they appear to be “filler”?
* Do any points in this paper need further support from research or from the song itself?
* Is the research reputable, introduced well, and explained?

After finishing, if time allows, ON THE DRAFT:
* Underline any vague or confusing sentences, phrases, or words and write “unclear.”
* Write “VT” any place you notice a problem with verb tense. When you refer to short story (or any other text), use present tense. When you refer to something that happened In the past, such as the act of composing the song, use past tense.
* Circle any “to be” verbs, such as ‘would go’ or ‘was writing.’
* Circle the words “you” or “I” anytime they appear in this paper.
* Make a note if there are a lot of comma splices, fragments, or run-on sentences.
* Note any other big problems with grammar or mechanics.
* Mark any big problems with citation in the draft
* Note any big problems with format. Click Here to Read More..

Tuesday, February 3, 2009

Tuesday's Class Problems

Hello Everyone,

There was a bad accident today on 75 and I wasn't able to get to our class in time. In lieu of this missing class, I need you to do the following:

1. You should all have e-mails or phone numbers of your fellow students. Call them and let them know that they should visit this message board.

2. Exchange papers with at least two of your classmates. E-mail them your papers if you have to, but make sure this is done by next class.

3. Answer the following questions below about your fellow classmate's paper

Quiz #7:

1. What is strong about their paper? Give specifics.

2. What still needs improvement in thier paper? Give specifics.

3. What kind of resarch would help this person's paper? Give specifics.

For next class, you need:

1. A draft of your paper
2. These questions answered
3. Research you think might be helpful for your paper. (Remember, your short story counts as one source, but you need two other sources for your paper. Use Wikipedia as your starting point, but find other research on your topic that you can use for your paper).
4. Bring in your laptop (if you have a laptop).

Bring all of these things for next class and hopefully (knock on wood) there won't be any accidents on 75 on Thursday).

- Gary Ancheta Click Here to Read More..

Tuesday, January 27, 2009

Short Story Analysis

Quiz:
What is a Thesis Statement?

Today, we are listening to a short story. Fill out the Following (short answer)

Story Title:
Setting:
- Time:
- Place:

Point of View:
Characters: (minor descriptions of each)

Conflicts?
- Internal:
- External:

Motifs:
Symbols:

Plot:
- Climax:
- Resolution:

Theme:
______________

What do you want to do with your paper?
Different Types of Arguments Click Here to Read More..

Wednesday, January 21, 2009

Project One Breakdown and List of Books

Make sure you read the Fiction Paper breakdown before coming to class today (here). We will be discussing different types of short stories that will be appropriate for this section of the class, so please make sure you either look at the list or come with ideas for short stories for your first paper.

http://thislife.org/Radio_Episode.aspx?episode=339
In the wake of a break-up, writer Starlee Kine finds so much comfort in break-up songs that she decides to try and write one herself--even though she has no musical ability whatsoever. For some help, she goes to a rather surprising expert on the subject: Phil Collins. Click Here to Read More..

Thursday, January 15, 2009

Science Fiction and Reality: Computers

Shall we play a game?


Apple Computers 1984:


1994 Unaired 24 Pilot:


HACKERS


Walking after Midnight:


Anti-Trust


Japanese Commercial:


OBAMA AND BLACKBERRY
Click Here to Read More..

Sunday, January 11, 2009

Welcome to ENC 1102

Thank you for signing up for this class. We will use this blog for current updates, out of class writings, and various projects. Please make sure you come to visit this page as much as possible throughout the semester...

In addition, I know that English II (because it’s required) is a course that some students are taking to “test the waters” of the higher educational environment to decide if college is “for them.” Others may be returning to school after years in the work force, and because they may have chosen a specific career goal, English I is the first step to that end. And finally, some students who are undecided on their career choice but want a college degree on their resumes are taking English I because it’s required and useful preparation for doing well in higher-level courses that require writing. Whichever of these three categories comes closest to your situation, I say to you that English I offers hands-on experience in reading and writing that will be extremely useful to your future.

While this will be a very interactive course (using lecture, group discussion, and individualized instruction), this will also be a very time-consuming course. I will expect your full attention during class (please no cell phones, texting, or useless websurfing) and I expect you to devote at least two hours out of class for every hour in class.

ASSIGNMENT FOR NEXT WEEK:

1. Purchase your books
2. Sign up for a Google Account (optional)
3. The Aleph (click here).
4. Download, read, and sign the syllabus (click here).
Click Here to Read More..